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The Venetian privilege and music-printing in the sixteenth century

Identifieur interne : 000679 ( Main/Exploration ); précédent : 000678; suivant : 000680

The Venetian privilege and music-printing in the sixteenth century

Auteurs : Richard J. Agee

Source :

RBID : ISTEX:F8678137C86AF58DB3FCF4E9E5B1F6A6E961D834

Abstract

Any scholar involved in the study of sixteenth-century music printed in Venice is bound to be familiar with the phrase ‘con gratia et privilegio’; yet within the framework of music-printing as a whole, the uses and significance of the printing privilege have remained somewhat obscure. The Venetian prints on which the privilege indication appears now lie scattered across the globe, but Venice continues to guard part of her brilliant past – the archives of the Serenissima Repubblica still yield documents which clarify our understanding of the production and protection of prints during the Cinquecento.

Url:
DOI: 10.1017/S0261127900000036


Affiliations:


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Le document en format XML

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<div type="abstract" xml:lang="en">Any scholar involved in the study of sixteenth-century music printed in Venice is bound to be familiar with the phrase ‘con gratia et privilegio’; yet within the framework of music-printing as a whole, the uses and significance of the printing privilege have remained somewhat obscure. The Venetian prints on which the privilege indication appears now lie scattered across the globe, but Venice continues to guard part of her brilliant past – the archives of the Serenissima Repubblica still yield documents which clarify our understanding of the production and protection of prints during the Cinquecento.</div>
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{{Explor lien
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   |area=    LassusV2
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:F8678137C86AF58DB3FCF4E9E5B1F6A6E961D834
   |texte=   The Venetian privilege and music-printing in the sixteenth century
}}

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