The Venetian privilege and music-printing in the sixteenth century
Identifieur interne : 000679 ( Main/Exploration ); précédent : 000678; suivant : 000680The Venetian privilege and music-printing in the sixteenth century
Auteurs : Richard J. AgeeSource :
- Early Music History [ 0261-1279 ] ; 1983-01.
Abstract
Any scholar involved in the study of sixteenth-century music printed in Venice is bound to be familiar with the phrase ‘con gratia et privilegio’; yet within the framework of music-printing as a whole, the uses and significance of the printing privilege have remained somewhat obscure. The Venetian prints on which the privilege indication appears now lie scattered across the globe, but Venice continues to guard part of her brilliant past – the archives of the Serenissima Repubblica still yield documents which clarify our understanding of the production and protection of prints during the Cinquecento.
Url:
DOI: 10.1017/S0261127900000036
Affiliations:
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<front><div type="abstract" xml:lang="en">Any scholar involved in the study of sixteenth-century music printed in Venice is bound to be familiar with the phrase ‘con gratia et privilegio’; yet within the framework of music-printing as a whole, the uses and significance of the printing privilege have remained somewhat obscure. The Venetian prints on which the privilege indication appears now lie scattered across the globe, but Venice continues to guard part of her brilliant past – the archives of the Serenissima Repubblica still yield documents which clarify our understanding of the production and protection of prints during the Cinquecento.</div>
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